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Resource for historians, musicologists, and other musicians to better understand the historical process of This research concerning two guitar masterworks in nineteenth century Spain, will be an indispensable Historians and musicologists who do not have prior knowledge of guitar history and literature. The primary objective for investigating the value of these two ambitious works, is to benefit N3 contain musical features in the Classical style andįinally a conclusion addressing these masterworks as two essential references for the study of the To ensure the Grand Solo Op.14 and Rondo Op2. These pieces in the guitar repertoire the biographies of Sor and Aguado a brief definition of Classicism Sustained/clipped (opposition between gentle vs. The outline of this qualitative research will be divided in four parts: the relevance and weight of In his landmark book, New Images of Musical Sound, Robert Cogan gives the. The guitar sonority which defined the Classical era. This study presents two musical examples which can depict and represent N3 in rondo form both forms were typical musical structures Synthesize the style and guitar writing of the Classical Movement in Spain. It will explain why Grand Solo Op.14 and Rondo Op2.
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This document will focus on two guitar masterworks: Fernando Sor's Grand Solo Op.14 andĭionisio Aguado's Rondo Op2. Instrument, guitarists had an array of new possibilities to explore in terms of sound and technique.įernando Sor (1778-1839) and Dionisio Aguado (1784-1849) were the main artists promoting andĪdvocating the six-string guitar as a serious concert instrument in Spain.2 The appearance of the six-string guitar changed guitar writing.1 With this new During the early nineteenth-century, the writing for classical-guitar elevated the instrument to